billy gibbons signature les paul

Maple tops selected just for ‘Pearly Gates’
The new Billy Gibbons ‘Pearly Gates’ Les Paul is as close as it gets to owning the real thing. And it all starts with the traditional marriage of select tonewoods that make up Pearly Gates’ body – a solid, non-weight relieved mahogany back topped with a hand-carved figured maple top that was carefully selected especially for Gibbons’ Pearly Gates model. The maple tops from the late 1950s and early 1960s remain one of the Les Paul’s most distinguishing features, and the tops selected for the Billy Gibbons ‘Pearly Gates’ are as beautiful and figured as the one that adorns the original. Single-ply cream binding surrounds the top of each guitar, helping to protect its edges but also adding a touch of elegance that remains a fundamental part of Gibson’s rich guitar-making history.

Carefully matched Billy Gibbons Burst finish
One of the more storied aspects of Gibson’s legendary Les Pauls of the late 1950s were the variations of the initial Billy Gibbons Burst finishes applied to them. Because of an inconsistency in the initial batch of red paint, the finished color had a tendency to fade when exposed to the elements. Of course, the amount of fading was determined by each guitar’s exposure to the elements, resulting in several improbable variations of the same finish. On Billy Gibbons’ celebrated Pearly Gates, the finish has darkened somewhat around the edges, but the beautiful grain of the figured maple top comes through prominently all the way around the guitar. The master craftsmen at Gibson Custom have successfully recreated this subtle variation on the new Billy Gibbons ‘Pearly Gates’ Les Paul, even down to the original’s distinct red mahogany back. Granted, no two guitars can ever possibly have exactly the same top and finish. But this may be as close as it gets.

Get Billy’s tone with Seymour Duncan Pearly Gates humbuckers
In the almost 40-plus years that Billy Gibbons has been making music, he’s done everything in his power to preserve and maintain his signature ‘Texas Blues’ sound. In a recording studio, it’s easy: he just breaks out the original ‘Pearly Gates’ – as he’s done for every ZZ Top album to date – and just wails away. On the road, however, Billy doesn’t turn to ‘Pearly Gates,’ but rather a close copy of the original. To replicate his studio tone in a live setting Billy turned to Seymour Duncan, who after carefully examining and analyzing the original pickups developed the appropriately named Pearly Gates humbuckers, which are as close to sonically matching the original pickups as anyone will ever get. The results are truly amazing. These popular conduits of tone – used by such brilliant players as Dickey Betts and Warren Haynes – are slightly hotter than your normal, everyday humbucker. According to the Seymour Duncan Web site, the Pearly Gates humbuckers are “sweet, but slightly rude, with great sustain and a bright top end that make harmonics jump out of the guitar.” That’s exactly what Billy Gibbons does every time he picks up his ‘Pearly Gates.’ And now you can too. After all, it wouldn’t be a ‘Pearly Gates’ if it wasn’t for that “God-like voice” the original is so noted for.

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